ÍNDICE POR AUTOR/ INDEX PAR AUTEUR/ INDEX BY AUTHOR

Alexsandra dos Santos Bispo - LATTES http://lattes.cnpq.br/4787469583989247

 

O ÉPICO E A ALEGORIA EM AS CANTILENAS DO REI-RAINHA DE LEDA MIRANDA HÜHNE

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_5cab1ac97142485c920c1c3d20797a0f.pdf

AS CANTILENAS DO REI-RAINHA (1988)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_93ab1e0d703e48dd8a8a024dd544cb00.pdf

Alireza Ghafouri

INVESTIGAÇÕES RECENTES SOBRE A EPOPEIA PERSA. A QUESTÃO DAS FONTES EM CHAHNAMEH DE FERDOWSI

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_45d0f3a33f9e496d8903acc59987d187.pdf

Alpha O. Barry  

 

RETÓRICA DO DISCURSO ÉPICO DE FUNALI EM FUTA JALOM: A REPRESENTAÇÃO PARALELA DE FIGURAS EXEMPLARES NA CONFLUÊNCIA DE CULTURAS 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3f70afad86904fb78a9f194d2f45f48e.pdf

Amadou Oury Diallo  - ORCID https://orcid.org/0000-0003-3669-7228

 

L’ÉPOPÉE ENTRE TRADITION ET MODERNITÉ

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8ef5cbd9ecdf4f71ac890b5e14f75ea8.pdf

MUTATIONS ET MÉTAMORPHOSES DE L'ÉPIQUE AU FOUTA-DJALON

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f52bf4b9132047d88ac35f5da0594461.pdf

Ana Luísa Amaral - ORCID https://orcid.org/0000-0002-2922-0811

 

SUR UNE NOUVELLE VOIE: VOIX DE FÉMININE GENT 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_5ecf67a1f6bc4556b0801bbe456da28e.pdf

Anamarija Marinović - ORCID https://orcid.org/0000-0002-8684-2748

 

O PAPEL DA LITERATURA TRADICIONAL NA CRIAÇÃO DE GRANDES MITOS NACIONAIS: O ESTUDO DO CASO DE TRÊS LENDAS PORTUGUESAS E SÉRVIAS 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_04954bda12ae4e31b3e60e155f4ffde7.pdf

 

Anazildo Vasconcelos da Silva - LATTES http://lattes.cnpq.br/6097740660362435

A MIMESE ÉPICA POR EMULAÇÃO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_1eb48203c1b84db3a6639695660693f9.pdf

Andréa Mendonça Cunha - ORCID  https://orcid.org/0000-0001-7634-0253

A CONSTRUÇÃO DISCURSIVA DO HERÓI (OU DO ANTI-HERÓI) EM VOLTA SECA, UM MENINO NO CANGAÇO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8b08a442449742569a15b6534deb44b9.pdf

Annabela Rita – ORCID https://orcid.org/0000-0002-1541-3006

"EM PORTUGUÊS BLOOMSDAY"

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_9f9723c50d6b4acba6cc58813c676e9c.pdf 

RÉGIO, 50 ANOS DEPOIS, AO ESPELHO DAS ARTES E DAS LETRAS 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_70a394a5076a4b3081c923c97a277f9d.pdf

Anna Beatriz Paula - ORCID https://orcid.org/0000-0003-2115-8053

VIAJAR ENTRE MUNDOS: UM OLHAR SOBRE SAVITRI: UMA LENDA E UM SÍMBOLO,  DE SRI AUROBINDO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_6ec0ab2736044b46b63030fc5becb4c8.pdf

WHEN DREAMS TRAVEL: O EMPODERAMENTO FEMININO NA ESCRITA DE GITHA HARIHARAN

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cfcdac8115354bc6a767eb42e0f19696.pdf

PRÉSENTATION

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_b07b84393a7344cba2301e9839acce8a.pdf

APRESENTAÇÃO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0efa0fc017704677bfa2a4028b30241b.pdf

Anne-Marie Quint - http://www.univ-paris3.fr/quint-anne-marie-29824.kjsp?RH=1179925961149

 

​A PERSONAGEM DE JOSÉ NO MEMORIAL DA INFÂNCIA DE CRISTO E TRIUNFO DO DIVINO AMOR DE SOROR MARIA DE MESQUITA PIMENTEL 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_6a5a90abf6be44d284e46d5b022bff61.pdf

Antonio Marcos dos Santos Trindade - ORCID https://orcid.org/0000-0002-8562-6891

REFLEXÕES SOBRE O ÉPICO EM TRÊS PERSPECTIVAS

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_7bc2bbd4b6b64f45a6e2e9a4771ef31f.pdf

António Martins Gomes

O HEROÍSMO SINGULAR DE UMA OPERÁRIA SUBMISSA EM OS FAMINTOS, DE JOÃO GRAVE

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_48330b1c008d41368d1ba3928f294908.pdf

Assia Mohssine - https://cv.archives-ouvertes.fr/assia-mohssine

 

PRÉSENTATION

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_979967cef8f140f7b539d5d70e3fde49.pdf

HÉROÏNES EN HAILLONS OU LA FATALITÉ ÉPIQUE AU FÉMININ DANS L'ÎLE AUX FOUS D'ANA GARCÍA BERGUA

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d2f9599d233d499ab284b21a9bf18c08.pdf

LA PATRIA INSOMNE (2011)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_deef276a703f4f3e8677f3d9929acd27.pdf

Aude Plagnard - https://univ-montp3.academia.edu/AudePlagnard/CurriculumVitae

¿EPOPEYAS IMITATIVAS Y REFUNDADORAS? EL CASO DE ALONSO DE ERCILLA Y JERÓNIMO CORTE-REAL

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_889f2edf273b459dae16dc2456a773dd.pdf

LA ARAUCANA (1569, 1578, 1589)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3b58c103166945368e2f631c6be8fc3a.pdf

Augusto Escobar Mesa

 

ALIENTO ÉPICO EN LA POESÍA DE OLGA ELENA MATTEI

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_1888d510d9a94ae9a0f25327f6ba122f.pdf

Bassirou Dieng (in memoriam)

ESTUDO TEÓRICO DE EPOPEIAS AFRICANAS

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_13031e1633d34f0888f934902b7e562d.pdf

Bénédicte Mathios - https://celis.uca.fr/le-celis/membres/membres-permanents/benedicte-mathios-94849.kjsp

 

ESPACES, SIMULTANÉITÉ DES TEMPS ET ARTS DANS L'OEUVRE POÉTIQUE D'OLVIDO GARCÍA VALDÉS: UNE EXPRESSION ÉPIQUE CONTEMPORAINE?

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_34407f9500c84b51b3e81dfe1fee6025.pdf

Benjamin Thomas

PRÉSENTATION N.2

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_32c3f1f1890040fcae760c6eeacdf2c1.pdf

APRESENTAÇÃO N.2

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_de2b863d07794fd7a2c1fa8a6c8bff29.pdf

Bruno FerrariLATTES http://lattes.cnpq.br/4521347134274058

PÁLIDOS ÉPICOS: A PERDA DO TOM ÉPICO DO SAMBA-ENREDO CARIOCA NO SÉCULO XXI

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_29b4dc0bf9454db585c9a51b544149e3.pdf

Carmen Boullosa - http://boullosa.webfactional.com/

 

ÉPICA MÍA

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_be05f2eb281e4cf3a4b24bef8c743db6.pdf

Carolina Lopes Batista - LATTES http://lattes.cnpq.br/8865901037928440

QUOD SCRIPSI, SCRIPSI: UMA APROXIMAÇÃO POSSÍVEL ENTRE SOROR PIMENTEL E JOSÉ SARAMAGO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_07f68a4b6cab451aafd0fe74c01facb0.pdf

Celeste Natário - ORCID https://orcid.org/0000-0003-0811-2915

A MENSAGEM: ENTRE AGOSTINHO DA SILVA E FERNANDO PESSOA 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3a1dbdafacc449058149579206d6c641.pdf

DA ÉPICA À FILOSOFIA. ENTRE GONÇALO M. TAVARES E AGOSTINHO DA SILVA

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f71700803eeb4dbd9b98e23c5aa6fbdb.pdf

Cheick Sakho - https://www.uea.edu.sn/index.php?q=content/professeur/mr-cheick-sakho

 

EL HADJ OMAR TALL (1797-1864)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_4e5cae5ff0d746ab8373c21a82ed565b.pdf

EPOPEIA DE SAMBA GUÉLÂDIO DIÊGUI

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e77ab73b0afd4eccada068e2912f379f.pdf

LAT DIOR (1842-1886)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fe9331c8856a441dbcdac3dded5c7699.pdf

Charlotte Krauss - https://univ-poitiers.academia.edu/CharlotteKrauss

APRESENTAÇÃO N. 1

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_33774102cfcc462cb3f651e471fb82c9.pdf

PRÉSENTATION N. 1

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f53a32a696f04d449e3b069a048a827c.pdf

TEATRO ÉPICO. TEATRO ÉPICO. THÈÂTRE ÉPIQUE. EPIC THEATER 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_4224819287c24a35b9072f7bf83eabc9.pdf

LES BARRICADES (1827)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d9f3c9b4abe342499032632b3208a509.pdf

Chris Gerry - ORCID https://orcid.org/0000-0001-7336-2238

 

DAMSELS AND DEITIES: FOREGROUNDING THE FEMININE IN SISTER MARIA DE MESQUITA PIMENTEL'S MEMORIAL DOS MILAGRES DE CRISTO E TRIUNFO DO DIVINO AMOR

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_ec2d248e32b241feb7c44ec7996bb21b.pdf

Christina Bielinski Ramalho - ORCID https://orcid.org/0000-0002-8298-698X

APRESENTAÇÃO N. 1

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_33774102cfcc462cb3f651e471fb82c9.pdf

PRÉSENTATION N. 1

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f53a32a696f04d449e3b069a048a827c.pdf

APRESENTAÇÃO N. 3

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3f4154e4f68e4340a5d624e1485b409c.pdf

PRÉSENTATION N. 3

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0d92c5930ea14b8bb8ef7ec4cc82053b.pdf

UN NUEVO HEROÍSMO ÉPICO EN POEMA DE CHILE DE GABRIELA MISTRAL

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_b95a26f4c802434e9b32d58ecb1bcca2.pdf

OBRAS HÍBRIDAS. OBRAS HÍBRIDAS. OEUVRES HYBRIDES. HYBRID WORKS

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cf72ca71b887402e86d010afd6e39b39.pdf

NARRATIVA ÉPICA-SAGA ÉPICA.NARRATIVA ÉPICA-SAGA ÉPICA.RÉCIT ÉPIQUE-SAGA ÉPIQUE.EPIC SAGA

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_777a894a68e94e0ab19bbb375ba98405.pdf

EPOPEIA/POESIA ÉPICA. EPOPEYA/POESÍA ÉPICA. ÉPOPÉE/POÈME ÉPIQUE. EPIC POEM

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_07ad98412054426191761f1e881801fd.pdf

EPOPEIA ADAPTADA PARA CRIANÇAS E JOVENS. EPOPEYA ADAPTADA PARA NIÑOS Y JÓVENES. L'ÉPOPÉE ADAPTÉE AUX ENFANTS ET AUX JEUNES. EPIC POETRY ADAPTED FOR CHILDREN AND YOUNG PEOPLE

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_dd1f48e1bb50413681e11f5a11d8a0bb.pdf

CORDEL ÉPICO. CORDEL ÉPICO. CORDEL ÉPIQUE. EPIC CORDEL

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8aea6b9b29da4e16ba4c7cb126ceeb39.pdf

APRESENTAÇÃO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_7ca7f7be0686449493b89c0503c18322.pdf

PRÉSENTATION

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_40969f0c0bf5444da29a52c0993954a1.pdf

PRESENTATION

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8fd6a4b6f1b54827be57385c77a36604.pdf

PRESENTACIÓN

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f7c4de83b06a438491f32a70a252bd26.pdf

LES MISÉRABLES (1862)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d6df805b568e414d98b48dc1a7b48ee8.pdf

ILÍADA (2005)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_947f3bd1a32f4361ac7fdc11c8e48ccb.pdf

TÁXI (1986)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_254d447fa6614f2cabd9e18713cb30f7.pdf

TRIGAL COM CORVOS (2004)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_2a9a5be031bf4a4ea4bad9a759bdb2e7.pdf

O CAÇADOR DE ESMERALDAS (1902)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d85310bcc9404a3e899cd0419fe09d0f.pdf

OS TIMBIRAS (1857)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_165c19c8a6ef489da82401a333050151.pdf

POEMA DE CHILE (1967)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_18e201cba47041eda2fdb44746837676.pdf

ROMANCEIRO DO CONTESTADO (1996)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e5cc088a54bf4e41a0f63d712acf8a51.pdf

A CABEÇA CALVA DE DEUSA (2001)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f7eee9aded874e04a960a767c815fb0a.pdf

AS MARINHAS (1984)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d89437853ee1450393ec0aeba47fc1a3.pdf

ANCHIETA OU O EVANGELHO NAS SELVAS (1875)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_ede021da35794b469e533d5446294692.pdf

Caminhos de quando e além (2007)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e7eee5b5c6cb4b9cbc73cca53cd5eaf7.pdf

CARAMURU (1781)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cd8390f09b724c2dad0fd7e9ddb18d7c.pdf

DIVINA COMMEDIA (SÉC. XIV)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_64e61639a9354737bc9b696dfee8a8b5.pdf

Christophe Gelly - https://r.academia.edu/CGelly/CurriculumVitae

O'BROTHER WHERE ART THOU? (JOEL COEN, 2000): UNE RÉÉCRITURE POSTMODERNE DE L'ODYSSÉE 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_26014aec5ed64ac4985e0eaa0b02ef22.pdf

Claudine Le Blanc - http://www.univ-paris3.fr/mme-le-blanc-claudine-35719.kjsp

LES CONTES DU DERNIER HOMME

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_892990af1a9442998ba1dc72f30b10ec.pdf

O QUE PENSA A FALA DAS MULHERES? OS DESAFIOS DE DIÁLOGO NA VERSÃO RECENTE DE UMA TRADIÇÃO ÉPICA DA ÍNDIA MERIDIONAL

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_609d2117e818448a833be128751beec1.pdf

PRÉSENTATION

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_b07b84393a7344cba2301e9839acce8a.pdf

APRESENTAÇÃO

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0efa0fc017704677bfa2a4028b30241b.pdf

Mahābhārata (séc. X a.C.)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8e3c261f1530402e8a29fe338ea88ff3.pdf

Cleber Vinicius do Amaral Felipe

A MÁQUINA DO MUNDO E O HEROÍSMO DE VASCO DA GAMA 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_a31b3873ee7c4b10965cb66fe998205b.pdf

Clément Jacquemoud

ÈšUA, UčAR-KAJ, AK-BYRKAN E OUTROS. O RENASCIMENTO ÉPICO NA REPÚBLICA DE ALTAI (SUL DA SIBÉRIA)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_c39a82b2d82a4289adfabc7e51f24336.pdf

Cyril Vettorato - http://ihrim.ens-lyon.fr/auteur/vettorato-cyril

OS ELEMENTOS ÉPICOS AFRICANOS E A BUSCA POR UMA EPOPEIA MODERNA: O EXEMPLO DE BLUE FASA DE NATHANIEL MACKEY

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_96026a13e9e946188c45d905f3d23523.pdf

Dalie Chrifi Alaoui 

HÉROÏNES EN HAILLONS OU LA FATALITÉ ÉPIQUE AU FÉMININ DANS L'ÎLE AUX FOUS D'ANA GARCÍA BERGUA

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d2f9599d233d499ab284b21a9bf18c08.pdf

Daniel Rodrigues - ORCID https://orcid.org/0000-0002-8903-0454

 

IMPOSSIBLES ÉPOPÉES. UNE LECTURE DE EPOPEIAS DE ANA LUÍSA AMARAL

​​https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fddc5a5ffeac4e9b8bf5a1d2d990726b.pdf

Danielle Buschinger

A QUAL GÊNERO LITERÁRIO PERTENCE O POEMA DO POETA GEORGIANO CHOTA ROUSTAVÉLI, LE CHEVALIER À LA PEAU DE TIGRE 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_9eda2600597b445092a811c0f2f8b02f.pdf

Dante Barrientos Tecún - https://hal-amu.archives-ouvertes.fr/search/index/q/*/authFullName_s/Dante+Barrientos+Tecun

 

LA SUBVERSIÓN DE LOS GÉNEROS: POESÍA ÉPICA FEMENINA EN CENTROAMÉRICA

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_29c2e98eb7c54e89bb25119ab66589bd.pdf

LOS HEREDEROS DE FARABUNDO (1981)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e42b8796dab8454a9cfcda55ff9f73a0.pdf

Daynara Lorena Aragão A. Côrtes e Jeane de Cássia Nascimento Santos

ENTRE A GUERRILHA E A LITERATURA: DIMENSÕES ÉPICAS NO ROMANCE MAYOMBE DE PEPETELA 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_a396920663644120b7a6a791068a0822.pdf

Delphine Rumeau - https://univ-tlse2.academia.edu/DelphineRumeau

 

CANTO GENERAL (1950)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_87758ca089e4412fa41eba03c839bcc5.pdf

LE LÉGENDE DES SIÈCLES (1859, 1877, 1883)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_bb4a40df663f4be988549e87f9d3442e.pdf

LEAVES OF GRASS (1855)

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_08269794caea4c8391d1e6aa1ae7b776.pdf

 

Dimitri Garncarzyk 

"A MAIOR OBRA DE QUE A NATUREZA HUMANA É CAPAZ". O QUE É UMA EPOPEIA NO SÉCULO XVIII? 

https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_56bb61bcb17c45e9ab50f27ac54662a6.pdf

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