ÍNDICE POR AUTOR/ INDEX PAR AUTEUR/ INDEX BY AUTHOR
Alisson Gebrim Krasota
O MITO KAPPA COMO RELATO ETNOGRÁFICO
https://www.revistaepicas.com/_files/ugd/ccf9af_18d68f9cdf734713be1e038213c36671.pdf
Allana Santana Souza - ORCID https://orcid.org/0000-0003-1033-3653
MAPEAMENTO DO FOLHETO DE CORDEL ÉPICO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fa15849b0133439c938633b51f01e162.pdf
HISTÓRIA DE DIMAS, O BOM LADRÃO (1977)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_c4602c1208644438b345f8900e77fbb9.pdf
O MISTERIOSO ATENTADO AO BISPO DE CAJAZEIRAS (2015)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_babe36ae05e34c92932bfabc3fac676a.pdf
VIAGEM AOS 80 ANOS DA REVOLTA DA PRINCESA (2011)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_546f64fa3b77468da0e758aed4e25663.pdf
Alessandro Zir - ORCID https://orcid.org/0000-0003-3091-1457
DA URSA À URSA MAIOR: PERSPECTIVISMO E ANALOGISMO NA LITERATURA BRASILEIRA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_62261768aebd4fb382e51e2640127c08.pdf
Alexandre da Silva Paixão - ORCID https://orcid.org/0000-0002-2830-0932
RESSONÂNCIAS DE A DIVINA COMÉDIA NA OBRA DE MACHADO DE ASSIS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_de3b1a9b060646deb1600a309a7e34c8.pdf
Alexandre de Melo Andrade - ORCID http://orcid.org/0000-0002-8467-607X
ALMA VÊNUS, DE MARCO LUCCHESI, E O DIÁLOGO COM A DIVINA COMÉDIA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cbfd34651762483eba5b786d127e641d.pdf
Alexsandra dos Santos Bispo - LATTES http://lattes.cnpq.br/4787469583989247
O ÉPICO E A ALEGORIA EM AS CANTILENAS DO REI-RAINHA DE LEDA MIRANDA HÜHNE
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_5cab1ac97142485c920c1c3d20797a0f.pdf
AS CANTILENAS DO REI-RAINHA (1988)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_93ab1e0d703e48dd8a8a024dd544cb00.pdf
FIM DE UM JUÍZO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_865e91e69aae4509b123856adbad4bc4.pdf
Alireza Ghafouri
INVESTIGAÇÕES RECENTES SOBRE A EPOPEIA PERSA. A QUESTÃO DAS FONTES EM CHAHNAMEH DE FERDOWSI
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_45d0f3a33f9e496d8903acc59987d187.pdf
Alpha O. Barry
RETÓRICA DO DISCURSO ÉPICO DE FUNALI EM FUTA JALOM: A REPRESENTAÇÃO PARALELA DE FIGURAS EXEMPLARES NA CONFLUÊNCIA DE CULTURAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3f70afad86904fb78a9f194d2f45f48e.pdf
Amadou Oury Diallo - ORCID https://orcid.org/0000-0003-3669-7228
L’ÉPOPÉE ENTRE TRADITION ET MODERNITÉ
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8ef5cbd9ecdf4f71ac890b5e14f75ea8.pdf
MUTATIONS ET MÉTAMORPHOSES DE L'ÉPIQUE AU FOUTA-DJALON
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f52bf4b9132047d88ac35f5da0594461.pdf
Ana Luísa Amaral - ORCID https://orcid.org/0000-0002-2922-0811
SUR UNE NOUVELLE VOIE: VOIX DE FÉMININE GENT
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_5ecf67a1f6bc4556b0801bbe456da28e.pdf
Ana Tereza Andrade - ORCID https://orcid.org/0000-0001-6882-3837
SERIA MACUNAÍMA O ULISSES BRASILEIRO?
https://www.revistaepicas.com/_files/ugd/ccf9af_e61d41f4d7784575a1b7d0c73387ed4e.pdf
Anamarija Marinović - ORCID https://orcid.org/0000-0002-8684-2748
O PAPEL DA LITERATURA TRADICIONAL NA CRIAÇÃO DE GRANDES MITOS NACIONAIS: O ESTUDO DO CASO DE TRÊS LENDAS PORTUGUESAS E SÉRVIAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_04954bda12ae4e31b3e60e155f4ffde7.pdf
Anazildo Vasconcelos da Silva - LATTES http://lattes.cnpq.br/6097740660362435
A MIMESE ÉPICA POR EMULAÇÃO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_1eb48203c1b84db3a6639695660693f9.pdf
Paraguassu e A Independência do Brasil: dois momentos da épica romântica brasileira
DOI: http://dx.doi.org/10.47044/2527-080X.2023.v13.1233
Andreia Guerini - LATTES http://lattes.cnpq.br/1962473391601725
A REPRESENTAÇÃO DAS ARTES NOS CONTOS DE CLARICE LISPECTOR
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_a16f38cb93e442a3b21dc08e2359abe4.pdf
Andrea Ghidoni - ORCID https://orcid.org/0000-0002-0677-8994
CANÇÕES DE GESTA OU EPOPEIAS? TENDÊNCIAS RECENTES E NOVOS DESENVOLVIMENTOS "ANTROPO-LITERÁRIOS" NO ESTUDO DA EPOPEIA ROMÂNICA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_2b1a811184e249baa9f8421a064a7908.pdf
Andréa Mendonça Cunha - ORCID https://orcid.org/0000-0001-7634-0253
A CONSTRUÇÃO DISCURSIVA DO HERÓI (OU DO ANTI-HERÓI) EM VOLTA SECA, UM MENINO NO CANGAÇO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8b08a442449742569a15b6534deb44b9.pdf
Angélica Amâncio
ESTENDENDO A CORDA: O CORDEL ÉPICO ENTRE O BRASIL E A FRANÇA
https://www.revistaepicas.com/_files/ugd/ccf9af_baba1454addc486598d768eeae16dfb8.pdf
Annabela Rita – ORCID https://orcid.org/0000-0002-1541-3006
"EM PORTUGUÊS BLOOMSDAY"
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_9f9723c50d6b4acba6cc58813c676e9c.pdf
RÉGIO, 50 ANOS DEPOIS, AO ESPELHO DAS ARTES E DAS LETRAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_70a394a5076a4b3081c923c97a277f9d.pdf
EROS NAS LETRAS E NA PEDRA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e7ebae5f2a1b476089a70a67ec7a5abb.pdf
AS LITERATURAS EM LÍNGUA PORTUGUESA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0aed7fb4b4ec43508b8b527490b1aa5d.pdf
Anna Beatriz Paula - ORCID https://orcid.org/0000-0003-2115-8053
VIAJAR ENTRE MUNDOS: UM OLHAR SOBRE SAVITRI: UMA LENDA E UM SÍMBOLO, DE SRI AUROBINDO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_6ec0ab2736044b46b63030fc5becb4c8.pdf
WHEN DREAMS TRAVEL: O EMPODERAMENTO FEMININO NA ESCRITA DE GITHA HARIHARAN
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cfcdac8115354bc6a767eb42e0f19696.pdf
PRÉSENTATION
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_b07b84393a7344cba2301e9839acce8a.pdf
APRESENTAÇÃO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0efa0fc017704677bfa2a4028b30241b.pdf
SAVITRI: A LEGEND AND A SYMBOL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_155f7e60dbc54312a236a2a47b0308ab.pdf
O ÉPICO NA LITERATURA AINU: KUTUNE SHIRKA
https://www.revistaepicas.com/_files/ugd/ccf9af_e1e52b6dd4f24805822f0c8a557165fe.pdf
Anne-Marie Quint - http://www.univ-paris3.fr/quint-anne-marie-29824.kjsp?RH=1179925961149
A PERSONAGEM DE JOSÉ NO MEMORIAL DA INFÂNCIA DE CRISTO E TRIUNFO DO DIVINO AMOR DE SOROR MARIA DE MESQUITA PIMENTEL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_6a5a90abf6be44d284e46d5b022bff61.pdf
Antonia de Jesus Sales - LATTES http://lattes.cnpq.br/0619140274650159
A REPRESENTAÇÃO DAS ARTES NOS CONTOS DE CLARICE LISPECTOR
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_a16f38cb93e442a3b21dc08e2359abe4.pdf
Antonio Marcos dos Santos Trindade - ORCID https://orcid.org/0000-0002-8562-6891
REFLEXÕES SOBRE O ÉPICO EM TRÊS PERSPECTIVAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_7bc2bbd4b6b64f45a6e2e9a4771ef31f.pdf
ROMANCEIRO SERGIPANO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_646627e1f5a24be485be71045cecb2a2.pdf
António Martins Gomes
O HEROÍSMO SINGULAR DE UMA OPERÁRIA SUBMISSA EM OS FAMINTOS, DE JOÃO GRAVE
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_48330b1c008d41368d1ba3928f294908.pdf
Assia Mohssine - https://cv.archives-ouvertes.fr/assia-mohssine
PRÉSENTATION
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_979967cef8f140f7b539d5d70e3fde49.pdf
HÉROÏNES EN HAILLONS OU LA FATALITÉ ÉPIQUE AU FÉMININ DANS L'ÎLE AUX FOUS D'ANA GARCÍA BERGUA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d2f9599d233d499ab284b21a9bf18c08.pdf
LA PATRIA INSOMNE (2011)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_deef276a703f4f3e8677f3d9929acd27.pdf
Aude Plagnard - https://univ-montp3.academia.edu/AudePlagnard/CurriculumVitae
¿EPOPEYAS IMITATIVAS Y REFUNDADORAS? EL CASO DE ALONSO DE ERCILLA Y JERÓNIMO CORTE-REAL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_889f2edf273b459dae16dc2456a773dd.pdf
LA ARAUCANA (1569, 1578, 1589)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3b58c103166945368e2f631c6be8fc3a.pdf
Augusto Escobar Mesa
ALIENTO ÉPICO EN LA POESÍA DE OLGA ELENA MATTEI
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_1888d510d9a94ae9a0f25327f6ba122f.pdf
Bassirou Dieng (in memoriam)
ESTUDO TEÓRICO DE EPOPEIAS AFRICANAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_13031e1633d34f0888f934902b7e562d.pdf
Beate Langenbruch
"OS DOZE PARES DE FRANÇA VÊM DE BELÉM DO PARÁ ...": HERANÇAS E MUTAÇÕES DO ÉPICO MEDIEVAL FRANCÊS NA CULTURA POPULAR BRASILEIRA - Tradução Antonio Marcos Trindade
https://www.revistaepicas.com/_files/ugd/ccf9af_698aa2e89c42490a9f6226f291509f6e.pdf
Bénédicte Mathios - https://celis.uca.fr/le-celis/membres/membres-permanents/benedicte-mathios-94849.kjsp
ESPACES, SIMULTANÉITÉ DES TEMPS ET ARTS DANS L'OEUVRE POÉTIQUE D'OLVIDO GARCÍA VALDÉS: UNE EXPRESSION ÉPIQUE CONTEMPORAINE?
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_34407f9500c84b51b3e81dfe1fee6025.pdf
Benjamin Thomas
PRÉSENTATION N.2
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_32c3f1f1890040fcae760c6eeacdf2c1.pdf
APRESENTAÇÃO N.2
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_de2b863d07794fd7a2c1fa8a6c8bff29.pdf
Bruno Ferrari - LATTES http://lattes.cnpq.br/4521347134274058
PÁLIDOS ÉPICOS: A PERDA DO TOM ÉPICO DO SAMBA-ENREDO CARIOCA NO SÉCULO XXI
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_29b4dc0bf9454db585c9a51b544149e3.pdf
Carlos Gontijo Rosa - ORCID: https://orcid.org/0000-0001-6648-902X
FIGURAS MARINHAS NO TEATRO DO BAIRRO ALTO: UM POUCO DE MITOLOGIA, OUTRO TANTO DE INVENÇÃO
https://www.revistaepicas.com/_files/ugd/ccf9af_4fd481b947f64f41a014345f514dd090.pdf
Carmen Boullosa - http://boullosa.webfactional.com/
ÉPICA MÍA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_be05f2eb281e4cf3a4b24bef8c743db6.pdf
Carolina Lopes Batista - LATTES http://lattes.cnpq.br/8865901037928440
QUOD SCRIPSI, SCRIPSI: UMA APROXIMAÇÃO POSSÍVEL ENTRE SOROR PIMENTEL E JOSÉ SARAMAGO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_07f68a4b6cab451aafd0fe74c01facb0.pdf
Catherine Servan-Schreiber
DE L'ESPACE DU FORT A CELUI DE LA PLANTATION. ARCOUS ÉPIQUES BHOJPURIS (INDE DU NORD ET ÎLE MAURICE)
https://www.revistaepicas.com/_files/ugd/ccf9af_25be81728ee74e38916b004be271ec1e.pdf
Cátia Canedo - ORCID https://orcid.org/0000-0001-6872-3393
MARIA LÚCIA, CRÍTICA E POETISA
https://www.revistaepicas.com/_files/ugd/ccf9af_b61898ed88df478d8ed42bf0a30b5fe2.pdf
Celeste Natário - ORCID https://orcid.org/0000-0003-0811-2915
A MENSAGEM: ENTRE AGOSTINHO DA SILVA E FERNANDO PESSOA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3a1dbdafacc449058149579206d6c641.pdf
DA ÉPICA À FILOSOFIA. ENTRE GONÇALO M. TAVARES E AGOSTINHO DA SILVA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f71700803eeb4dbd9b98e23c5aa6fbdb.pdf
César de Oliveira Santos - ORCID https://orcid.org/0000-0002-1925-5084
SELVA O(CULTA): O EPOS E A JORNADA MÍTICA EM LOS REINOS DORADOS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_c1f8410ce8df4c9cb07f7915455acb15.pdf
Cheick Sakho - https://www.uea.edu.sn/index.php?q=content/professeur/mr-cheick-sakho
EL HADJ OMAR TALL (1797-1864)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_4e5cae5ff0d746ab8373c21a82ed565b.pdf
EPOPEIA DE SAMBA GUÉLÂDIO DIÊGUI
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e77ab73b0afd4eccada068e2912f379f.pdf
LAT DIOR (1842-1886)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fe9331c8856a441dbcdac3dded5c7699.pdf
Charlotte Krauss - https://univ-poitiers.academia.edu/CharlotteKrauss
APRESENTAÇÃO N. 1
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_33774102cfcc462cb3f651e471fb82c9.pdf
PRÉSENTATION N. 1
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f53a32a696f04d449e3b069a048a827c.pdf
TEATRO ÉPICO. TEATRO ÉPICO. THÈÂTRE ÉPIQUE. EPIC THEATER
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_4224819287c24a35b9072f7bf83eabc9.pdf
LES BARRICADES (1827)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d9f3c9b4abe342499032632b3208a509.pdf
Chris Gerry - ORCID https://orcid.org/0000-0001-7336-2238
DAMSELS AND DEITIES: FOREGROUNDING THE FEMININE IN SISTER MARIA DE MESQUITA PIMENTEL'S MEMORIAL DOS MILAGRES DE CRISTO E TRIUNFO DO DIVINO AMOR
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_ec2d248e32b241feb7c44ec7996bb21b.pdf
Christina Bielinski Ramalho - ORCID https://orcid.org/0000-0002-8298-698X
APRESENTAÇÃO N. 1
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_33774102cfcc462cb3f651e471fb82c9.pdf
PRÉSENTATION N. 1
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f53a32a696f04d449e3b069a048a827c.pdf
APRESENTAÇÃO N. 3
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3f4154e4f68e4340a5d624e1485b409c.pdf
PRÉSENTATION N. 3
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0d92c5930ea14b8bb8ef7ec4cc82053b.pdf
UN NUEVO HEROÍSMO ÉPICO EN POEMA DE CHILE DE GABRIELA MISTRAL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_b95a26f4c802434e9b32d58ecb1bcca2.pdf
OBRAS HÍBRIDAS. OBRAS HÍBRIDAS. OEUVRES HYBRIDES. HYBRID WORKS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cf72ca71b887402e86d010afd6e39b39.pdf
NARRATIVA ÉPICA-SAGA ÉPICA.NARRATIVA ÉPICA-SAGA ÉPICA.RÉCIT ÉPIQUE-SAGA ÉPIQUE.EPIC SAGA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_777a894a68e94e0ab19bbb375ba98405.pdf
EPOPEIA/POESIA ÉPICA. EPOPEYA/POESÍA ÉPICA. ÉPOPÉE/POÈME ÉPIQUE. EPIC POEM
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_07ad98412054426191761f1e881801fd.pdf
EPOPEIA ADAPTADA PARA CRIANÇAS E JOVENS. EPOPEYA ADAPTADA PARA NIÑOS Y JÓVENES. L'ÉPOPÉE ADAPTÉE AUX ENFANTS ET AUX JEUNES. EPIC POETRY ADAPTED FOR CHILDREN AND YOUNG PEOPLE
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_dd1f48e1bb50413681e11f5a11d8a0bb.pdf
CORDEL ÉPICO. CORDEL ÉPICO. CORDEL ÉPIQUE. EPIC CORDEL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8aea6b9b29da4e16ba4c7cb126ceeb39.pdf
APRESENTAÇÃO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_7ca7f7be0686449493b89c0503c18322.pdf
PRÉSENTATION
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_40969f0c0bf5444da29a52c0993954a1.pdf
PRESENTATION
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8fd6a4b6f1b54827be57385c77a36604.pdf
PRESENTACIÓN
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f7c4de83b06a438491f32a70a252bd26.pdf
LES MISÉRABLES (1862)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d6df805b568e414d98b48dc1a7b48ee8.pdf
ILÍADA (2005)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_947f3bd1a32f4361ac7fdc11c8e48ccb.pdf
TÁXI (1986)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_254d447fa6614f2cabd9e18713cb30f7.pdf
TRIGAL COM CORVOS (2004)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_2a9a5be031bf4a4ea4bad9a759bdb2e7.pdf
O CAÇADOR DE ESMERALDAS (1902)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d85310bcc9404a3e899cd0419fe09d0f.pdf
OS TIMBIRAS (1857)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_165c19c8a6ef489da82401a333050151.pdf
POEMA DE CHILE (1967)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_18e201cba47041eda2fdb44746837676.pdf
ROMANCEIRO DO CONTESTADO (1996)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e5cc088a54bf4e41a0f63d712acf8a51.pdf
A CABEÇA CALVA DE DEUS (2001)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_f7eee9aded874e04a960a767c815fb0a.pdf
AS MARINHAS (1984)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d89437853ee1450393ec0aeba47fc1a3.pdf
ANCHIETA OU O EVANGELHO NAS SELVAS (1875)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_ede021da35794b469e533d5446294692.pdf
Caminhos de quando e além (2007)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e7eee5b5c6cb4b9cbc73cca53cd5eaf7.pdf
CARAMURU (1781)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_cd8390f09b724c2dad0fd7e9ddb18d7c.pdf
DIVINA COMMEDIA (SÉC. XIV)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_64e61639a9354737bc9b696dfee8a8b5.pdf
APRESENTAÇÃO: FORMAS ÉPICAS NAS AMÉRICAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fcc0fc0bc7f846c7956a9b6a43025dc6.pdf
PRESENTACIÓN: FORMAS ÉPICAS EN LAS AMÉRICAS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0e765c575eef4a7fa62cfc40871d19c1.pdf
DRAGÃO DO MAR. HERÓI DA TERRA DA LUZ (2010)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d9858d5dab484003ba4be94d91d21649.pdf
LOS REINOS DORADOS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_32f955e447994dfa9bdc8606e024ede0.pdf
ODISSEIA EPOPEIA ADAPTADA PARA CRIANÇAS E JOVENS
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_78ebe66a141a45bda92fc193a9bd1458.pdf
A VERDADE VOS FARÁ LIVRE - MANGUEIRA 2020
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_3eda00c3a4ef4c05adffe2498431ef00.pdf
AUTO DO FRADE
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_5c88190ddae248aea5ed04171433e5f5.pdf
ABOUT THE EPIC SUBJECT: HEROES, HEROINES AND ANACHRONISM
https://www.revistaepicas.com/_files/ugd/ccf9af_f6646e41af68477a8a5a4c8102129817.pdf
Telesio, de Lucas Margarit: hibridismo, dialogismo e intertextualidade (Luiz Fernando Dias Pita)
DOI: http://dx.doi.org/10.47044/2527-080X.2023.v13.102121
Christophe Gelly - https://r.academia.edu/CGelly/CurriculumVitae
O'BROTHER WHERE ART THOU? (JOEL COEN, 2000): UNE RÉÉCRITURE POSTMODERNE DE L'ODYSSÉE
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_26014aec5ed64ac4985e0eaa0b02ef22.pdf
Cristina Beatriz Fernández
El lugar de la epopeya en La tradición nacional, de Joaquín V. González
DOI: http://dx.doi.org/10.47044/2527-080X.2023.v13.6675
Claudia Emylly Silva Barreto Bispo - ORCID https://orcid.org/0000-0003-0700-2984
MAPEAMENTO DO FOLHETO DE CORDEL ÉPICO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fa15849b0133439c938633b51f01e162.pdf
ANTÔNIO CONSELHEIRO NA VILLA DE ITABAIANA (2015)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fecbd5c738cc46998d10eb833664681e.pdf
VIAGEM AOS 80 ANOS DA REVOLTA DA PRINCESA (2011)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_546f64fa3b77468da0e758aed4e25663.pdf
A autoria feminina no acervo Raymond Cantel
DOI: http://dx.doi.org/10.47044/2527-080X.2023.v13.171181
Claudine Le Blanc - ORCID https://orcid.org/0000-0002-6663-9523 - http://www.univ-paris3.fr/mme-le-blanc-claudine-35719.kjsp
LES CONTES DU DERNIER HOMME
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_892990af1a9442998ba1dc72f30b10ec.pdf
O QUE PENSA A FALA DAS MULHERES? OS DESAFIOS DE DIÁLOGO NA VERSÃO RECENTE DE UMA TRADIÇÃO ÉPICA DA ÍNDIA MERIDIONAL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_609d2117e818448a833be128751beec1.pdf
PRÉSENTATION
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_b07b84393a7344cba2301e9839acce8a.pdf
APRESENTAÇÃO
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_0efa0fc017704677bfa2a4028b30241b.pdf
Mahābhārata (séc. X a.C.)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_8e3c261f1530402e8a29fe338ea88ff3.pdf
APRESENTAÇÃO
https://www.revistaepicas.com/_files/ugd/ccf9af_c6fc318c0e78448c8407e0418e48e9ce.pdf
PRÉSENTATION
https://www.revistaepicas.com/_files/ugd/ccf9af_f2f5dcf1f3844a57b4502e056fa57801.pdf
Cleber Vinicius do Amaral Felipe
A MÁQUINA DO MUNDO E O HEROÍSMO DE VASCO DA GAMA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_a31b3873ee7c4b10965cb66fe998205b.pdf
Clément Jacquemoud
ÈšUA, UčAR-KAJ, AK-BYRKAN E OUTROS. O RENASCIMENTO ÉPICO NA REPÚBLICA DE ALTAI (SUL DA SIBÉRIA)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_c39a82b2d82a4289adfabc7e51f24336.pdf
Cyril Vettorato - http://ihrim.ens-lyon.fr/auteur/vettorato-cyril
OS ELEMENTOS ÉPICOS AFRICANOS E A BUSCA POR UMA EPOPEIA MODERNA: O EXEMPLO DE BLUE FASA DE NATHANIEL MACKEY
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_96026a13e9e946188c45d905f3d23523.pdf
Dalie Chrifi Alaoui
HÉROÏNES EN HAILLONS OU LA FATALITÉ ÉPIQUE AU FÉMININ DANS L'ÎLE AUX FOUS D'ANA GARCÍA BERGUA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_d2f9599d233d499ab284b21a9bf18c08.pdf
Daniel Rodrigues - ORCID https://orcid.org/0000-0002-8903-0454
IMPOSSIBLES ÉPOPÉES. UNE LECTURE DE EPOPEIAS DE ANA LUÍSA AMARAL
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_fddc5a5ffeac4e9b8bf5a1d2d990726b.pdf
Danielle Buschinger
A QUAL GÊNERO LITERÁRIO PERTENCE O POEMA DO POETA GEORGIANO CHOTA ROUSTAVÉLI, LE CHEVALIER À LA PEAU DE TIGRE
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_9eda2600597b445092a811c0f2f8b02f.pdf
Dante Barrientos Tecún - https://hal-amu.archives-ouvertes.fr/search/index/q/*/authFullName_s/Dante+Barrientos+Tecun
LA SUBVERSIÓN DE LOS GÉNEROS: POESÍA ÉPICA FEMENINA EN CENTROAMÉRICA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_29c2e98eb7c54e89bb25119ab66589bd.pdf
LOS HEREDEROS DE FARABUNDO (1981)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_e42b8796dab8454a9cfcda55ff9f73a0.pdf
Daynara Lorena Aragão A. Côrtes - ORCID https://orcid.org/0000-0003-1632-6059
ENTRE A GUERRILHA E A LITERATURA: DIMENSÕES ÉPICAS NO ROMANCE MAYOMBE DE PEPETELA
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_a396920663644120b7a6a791068a0822.pdf
RESSIGNIFICANDO O HEROÍSMO ÉPICO CLÁSSICO: SOLANO TRINDADE EM "CANTO DOS PALMARES"
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_7ab7e17a826641ebb641e5d5010f5650.pdf
Delphine Rumeau - https://univ-tlse2.academia.edu/DelphineRumeau
CANTO GENERAL (1950)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_87758ca089e4412fa41eba03c839bcc5.pdf
LE LÉGENDE DES SIÈCLES (1859, 1877, 1883)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_bb4a40df663f4be988549e87f9d3442e.pdf
LEAVES OF GRASS (1855)
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_08269794caea4c8391d1e6aa1ae7b776.pdf
Dimitri Garncarzyk
"A MAIOR OBRA DE QUE A NATUREZA HUMANA É CAPAZ". O QUE É UMA EPOPEIA NO SÉCULO XVIII?
https://f1cab0b0-7754-48c7-89e4-9dcd00d32f52.filesusr.com/ugd/ccf9af_56bb61bcb17c45e9ab50f27ac54662a6.pdf
